New Pianos

FAZIOLI

Fazioli Pianos has been producing grand and concert grand pianos since 1981, when the company was founded by the engineer and pianist Paolo Fazioli. Passion for music, great artisanship, continuous technological research and strict material selection: these are the elements required for building a Fazioli piano. FAZIOLI refuses any industrial approach to manufacturing and pursues the objective of uncompromised quality. The factory is located in Sacile, in the Province of Pordenone (60 km Northeast of Venice) in an area boasting an ancient and prestigious tradition in the art of woodworking.

Fazioli F156 (5’1) Grand

The smallest model of the FAZIOLI collection. Despite its small size, this piano has a remarkably powerful and clear sound. Suitable for smaller settings where the player does not wish to renounce to the sound and action of a high-quality grand piano.

Fazioli F183 (6′) Grand

Baby grand. A mellow, rich and brilliant sound suited for the entire piano repertoire. With a fine balance between the bass and treble, this piano has a projecting tone, which exceeds its dimensions.

Fazioli F198 (6’6) Grand

The newest addition to the FAZIOLI collection. This piano is designed to fit easily into living spaces, home studios, classrooms, and small performance rooms. The powerful and expressive sound, the wide dynamic range, and the balanced and responsive touch across the entire range of the keyboard make it the ideal choice for the most demanding pianists.

Fazioli F212 (7′) Grand

Considered across the world as the classic size for performing and teaching, this piano is also suitable for medium concert halls. The excellent balance between the bass and treble and the wide dynamic range make this instrument particularly well suited for the recording studio.

Fazioli F228 (7’5) Grand

Semi-concert grand piano. Very similar to the concert grand (F278) in its action and dynamic features; a deep and powerful bass makes this piano excellent for medium-size concert halls. Only slightly smaller than a full concert grand, its tonal richness makes it an ideal instrument for chamber music.

Fazioli F278 (9′) Grand

Concert grand. Exceptional power, magnificent balance between the bass and treble, extensive dynamic range and harmonic richness. A classic instrument for large concert halls and recording studios; suitable both for the solo repertoire and for performances with large orchestras.

Bösendorfer

Bösendorfer remains the oldest, premium, piano manufacturer world-wide, residing in the heart of Europe, Austria. Since 1828, Ignaz and Ludwig Bösendorfer poured all their passion and know how towards building the most advanced grand piano of their time that represented Vienna’s culture and appreciation of piano music. Based upon the feedback and influence of world famous composers and leading artists of their times, they elaborated and developed their pianos further. They were a father and son, both not only skilled in the master craftsmanship of piano building but dedicated to music and artists from the start.

Today, it takes up to 587 hours of masterly craftsmanship in Austria to create an instrument, not only aesthetically pleasing but which inspires.

Bösendorfer 185VC (6’1) Grand Piano

The latest Bösendorfer Grand Piano 185, while retaining the wonderful tradition of a brilliant and warm sound, features new and highly precise mechanics that guarantee perfect control and attainment of a huge range of dynamics and colours.

For an instrument of this size, the volume of the bass and the capacity for finest nuances are spectacular.

This piano, on account of its strong and stable mechanics, can be a wonderful practice instrument for the home, but equally a great concert instrument for a small hall.

Let your heart be inspired by this piano.

Bösendorfer 225 (7’4) Grand Piano

This Grand Piano – like the bigger brother 290 Imperial – has been crafted dedicating to the tradition of Viennese piano building. With its unique design and size this piano delights by an exceptional multitude of colours similar to an orchestra.

Delicately fragile pianissimo to brilliant fortissimo, this Bösendorfer Grand sways the audience – down to the Subcontra F. These additional bass notes do not only enrich the tonal volume of the instrument, but subsequently paint additional sound colours and open up an orchestral sound spectrum.

This unique sonic presence in all registers is the sound basis of the popularity of the Bösendorfer 225 as chamber and solo instrument. A presence which leaves no audience unmoved.

C. Bechstein

Today, Bechstein boasts its sixth generation of engineers, tone specialists, piano makers, and other specialists in the fields of finishing, wood working and metal processing, all of them contributing to the further development of the company that Carl Bechstein founded in Berlin in 1853. This visionary piano-maker succeeded, from the outset, in producing fine instruments with a singing tone that fascinated great pianists and composers, thus cultivating the brand loyalties of artists and music fans the world over.

The expertise required to create pianos with outstanding sound is a heritage that now lives on at the Seifhennersdorf production site. A team of 150 top craftsmen and technicians, old and young, pass on their skills and knowledge to each succeeding generation of piano-makers. The expertise gained from tradition, experience and the latest research into materials and innovative processing technology goes into improving the action assembly and the famous Bechstein sound.

C. Bechstein ‘Academy’ – Made in Germany

C. Bechstein ‘Academy’ A4 (47″)

The C. Bechstein Academy A4 sounds wonderfully distinguished and elegant – and yet fresh and impulsive at the same time. This unique sound profile and the outstanding action of the Academy A4 mean it can be used for any kind of musical requirements, be it for personal use or as a working instrument for professional use.

The unique sound profile and the outstanding action of the A4 means it can be used for any kind of musical requirements, be it for personal use or as a working instrument for professional use.

 

C. Bechstein ‘Academy’ A6 (49.6″)

The ‘Academy’ A6’s newly developed acoustic assembly and refined action lend the successor to our classic Academy A 124 even more breathtaking sound and volume.The significantly longer maximum string length and optimised cast-iron frame design made it possible to improve the geometry of the soundboard and adjust the contour of the bridge to make the transfer of vibrations even more vivid. This maximises the sound and volume delivered by the popular, modern piano body with traditional elements in spectacular fashion.

C. Bechstein ‘Academy’ A160 Grand (5’3)

This model stands out not only for its precise action, but also for its colorful and well-balanced voice rich in overtones.

 

C. Bechstein ‘Academy’ A190 Grand (6’3)

A parlor grand with a professional profile. An exceptionally clear and richly nuanced voice. Pleasant touch. Entices you to play.

C. Bechstein ‘Academy’ A208 Grand (6’9)

A wonderful professional parlor grand piano for private music rooms and small concert halls

 

C. Bechstein ‘Concert’ Grand Pianos – Made in Germany

C. Bechstein ‘Concert’ B212 (7′)

Hand-made in Germany! The engineers in the C. Bechstein R&D department developed the exceptional B 212 parlor grand piano in close dialog with numerous pianists and conservatory teachers. Many features of this wonderful instrument are similar to those of the C. Bechstein C 234 and D 282 concert grands.

The C. Bechstein B 212 parlor grand piano generates unrestricted playing pleasure and is the ideal everyday companion of pros and advanced amateurs in search of the very best. This parlor grand piano suitable for recitals is frequently found in conservatories and private music rooms.

C. Bechstein ‘Concert’ D282 (9′) Grand

The C. Bechstein engineers and master piano-makers developed the D282 model after intensive discussions with international star pianists. This legendary instrument has set new standards with its transparent voice and unparalleled richness of tonal colors.

The C. Bechstein D282 concert grand piano embodies the synthesis of the brand’s legend and the demands of today’s pianists for power and dynamism.

W. HOFFMANN

W.Hoffmann by C. Bechstein Europe— European Quality Standards at an Affordable Price.
C. Bechstein manufactures these competitive pianos at its European production site located in the Czech Republic. The manufacturing processes integrate traditional craftsmanship and efficient management. You can choose among three product lines: Professional, Tradition and Vision. All are covered by a five-year warranty provided by C. Bechstein Europe.

W. Hoffmann Upright Pianos – MaDE by C. Bechstein Europe

W. Hoffmann ‘Vision’ V2 (45″)

The small piano for big ideas. The new entry point into the W.Hoffmann world.

W. Hoffmann ‘Vision’ V-120 (47.5″)

A carefully honed design, brilliant sound and pleasant touch.

W. Hoffmann ‘Tradition’ T122 (48″)

The small piano for big ideas. The new entry point into the W.Hoffmann world.

W. Hoffmann ‘Tradition’ T128 (50.4″)

A carefully honed design, brilliant sound and pleasant touch.

W. Hoffmann Grand Pianos BY C. Bechstein EUROPE

W. Hoffmann ‘Vision’ V158 (5’2)

A powerful baby grand piano with responsive action assembly and trademark European sound.

W. Hoffmann ‘Vision’ V175 (5’9)

Quality materials, stringent quality controls, a piano individually voiced by “hand and ear”.

W. Hoffmann ‘Tradition’ T161 (5’3)

Harmonious proportions, a beautiful timbre and a pleasant touch for your playing pleasure.

W. Hoffmann ‘Tradition’ T177 (5’10)

Harmonious sound profile and powerful sound volume.

W. Hoffmann ‘Tradition’ T186 (6’1)

An instrument for demanding piano players: precise action and a powerful, well-balanced sound.

ZIMMERMANN

Zimmermann upright and grand pianos by C. Bechstein offer reliable quality to pianists in search of instruments at affordable prices. Enter the world of the piano in confidence!

Designed in Germany to the specifications of the C. Bechstein’s R&D department, Zimmermann instruments clearly incorporate European quality standards and adhere to stringent quality management.

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Zimmermann Upright Pianos – Designed by C. Bechstein

Zimmermann ‘Studio’ S2 (45″)

The smallest piano in the Studio line, with the same rich tonal quality.

Zimmermann ‘Studio’ S6 (50″)

This piano is suitable for all players and impresses with a warm tone and responsive touch.

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Zimmermann Grand Pianos – Designed by C. Bechstein

Zimmermann ‘Studio’ Z160 (5’3)

A small, charming baby grand piano with full timbre and melodious charisma.

Zimmermann ‘Studio’ Z175 (5’9)

A mid-sized grand piano with a pleasant touch and European tone.

Zimmermann ‘Studio’ Z185 (6’1)

A robust and approachable parlor grand piano for demanding players.

Grotrian

Friedrich Grotrian was born in 1803 in Schöningen, Germany, and as a young man lived in Moscow, where he ran a music business and was associated with piano manufacturing. Later in life, he partnered with C.F. Theodor Steinweg, son of Heinrich Steinweg, to build pianos. Heinrich emigrated to the U.S. about 1850, soon to establish the firm of Steinway & Sons. Theodor followed in 1865, selling his share in the partnership to Wilhelm Grotrian, son of Friedrich, who died in 1860. Thereafter, the firm became known as Grotrian-Steinweg. (In a legal settlement with Steinway & Sons, Grotrian-Steinweg agreed to use only the name Grotrian on pianos sold in North America.) Even as early as the 1860s, Grotrian pianos were well known and highly respected throughout Europe. Each successive generation of the Grotrian family maintained the company’s high standards and furthered the technical development of the instrument.  Today, a member of the sixth generation of the Grotrian family is a shareholder, and will continue to participate in managing the company, making Grotrian the oldest, family-run piano company in existence.

Grotrian Pianos concentrate on the handmade production of instruments made of fine materials, exclusively in the parent plant in Braunschweig, Germany.  Grotrian pianos boast the BVK, Made in Germany Certification, adhering to strict guidelines.

Grotrian ‘Cabinet’ G-192 Grand (6’4)

Attaining the highest quality means accepting no compromises. No expense was spared on the G-192. And you can tell – both in its appearance and its sound. Measuring 192cm in length, the G-192 is a genuine chamber concert instrument with finely nuanced tonal qualities. Perfect for teaching in the academy or the discerning musician at home. 

Yamaha

The world’s largest producer of musical instruments and most trusted name, Yamaha leads the way in research and development in its digital and hybrid piano lines, bringing you the most authentic sounds and piano touch and feel. The Clavinova line has been around since 1983 and today, boasts the broadest product range of any manufacturer.  Then, a few years ago, Yamaha introduced its AvantGrand hybrid piano.  A hybrid piano combines electronic, mechanical, and/or acoustical aspects of both acoustic and digital pianos, in order to improve or expand the capabilities of the resulting instrument. There’s so much to explore in this fascinating world – come see for yourself!

Yamaha Clavinova Digital Pianos – CLP-800 SERIES

CLP-800 Series Now Available!

CLP-825, CLP-835, CLP-845, CLP-865GP, CLP-875, CLP-885 & CLP-895GP

Please contact us for price & availability

Yamaha ‘AvantGrand’ Hybrid Pianos

NU1X, NU1X-A, N1X, and N3X

Please contact us for price & availability

Yamaha ‘AvantGrand’ NU1X-A Hybrid Upright

NATURAL TOUCH WITH ACOUSTIC PIANO ACTION.

The NU1X-A utilizes a complex and elaborate upright piano action mechanism that transmits the delicate movements of the keys to the hammer. It responds accurately to the subtlest nuances and expressive intentions of the player, including delicate performance techniques such as trills and continuously repeated notes. In addition, the keyboard is made of wood, just as with an acoustic piano, providing a solid, natural response.

REMARKABLY DETAILED EXPRESSIVENESS WITH THE YAMAHA ARTICULATION SENSOR SYSTEM.

The NU1X-A features our newly developed Articulation Sensor System, which accurately and continuously captures the pianist’s subtlest performance nuances, through non-contact electromagnetic sensors and Yamaha’s proprietary algorithm. This system utilizes two separate sensors on each key: one for the hammer—the most crucial part of the acoustic piano sound mechanism—and the other for the key itself, to precisely measure the movement of finger release and articulate exactly the special nuances when the sound stops. Together, they fully capture the most delicate expressions of the player.

Yamaha ‘AvantGrand’ N1X Hybrid Grand

To express yourself musically, you need to form a physical bond with your instrument. In the case of the AvantGrand series, it starts with real wooden keys with a comfortable touch. Then comes the all-important key action, which the AvantGrand series has inherited from Yamaha’s esteemed concert grand pianos. 

When it comes to judging piano tone, much depends on personal taste. To help you achieve the tonal palette you desire, Yamaha offers the choice of two world-class grand pianos in one—each with its own unique character to convey the emotion you want to express through a piece of music.

At the touch of a button on the AvantGrand N1X, you can opt for authentic sounds sampled either from a Yamaha CFX Concert Grand or from a Bösendorfer Imperial Concert Grand.

Yamaha ‘AvantGrand’ N3X Hybrid Grand

Evolving the sonic spectrum

The AvantGrand series takes a unique approach to reproducing the sound of an acoustic grand piano. When capturing the original source sounds from a specially selected full concert grand, Yamaha technicians took samples from four different positions across the soundboard: left, right, center, and rear. Compared to conventional left-and-right channel (stereo) recording, this yielded wonderfully rich and authentic results.

To make the most of this four-channel source sound, AvantGrand pianos employ Yamaha’s Spatial Acoustic Speaker System—a four-point speaker configuration that allows AvantGrand pianos to deliver faithful three-dimensional recreations of the original instruments. For the N3X, speaker placement mirrors the four recording positions on the source piano.